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Royalties

Your song played. Where did the money go?

Bring your catalogue and your statements. WASID lines the two up and shows you the gaps: plays on record with nothing collected against them, commercial radio rotations nobody logged, and uncleared samples streaming worldwide. You see only your own catalogue, never anyone else’s.

Where your royalties are earned, traced from the statements you import.No statement yet? WASID still shows where to claim.

Streaming and video

  • Spotify
  • Apple Music
  • iTunes
  • YouTube
  • YouTube Music
  • Boomplay
  • Deezer
  • Audiomack
  • Amazon Music
  • Tidal
  • SoundCloud
  • Pandora
  • SiriusXM
  • Napster
  • Anghami
  • Mdundo
  • Joox
  • iHeartRadio
  • Qobuz
  • Beatport
  • Bandcamp
  • Peloton
  • Tencent Music
  • NetEase Cloud Music
  • JioSaavn
  • Gaana

Social and short video

  • TikTok
  • Instagram
  • YouTube Shorts
  • Facebook
  • Meta
  • Reels
  • Content ID
  • Snapchat

Distributors

  • DistroKid
  • TuneCore
  • CD Baby
  • Believe
  • The Orchard
  • AWAL
  • Ditto Music
  • Amuse
  • UnitedMasters
  • Symphonic Distribution
  • SoundOn
  • Empire
  • Stem
  • Vydia
  • FUGA
  • Virgin Music Group
  • Africori
  • Ziiki Media
  • emPawa Africa

Labels

  • Universal Music Group
  • Sony Music
  • Warner Music Group
  • BMG
  • Mavin Records
  • Chocolate City
  • Lynx Entertainment

Publishers

  • Universal Music Publishing Group
  • Sony Music Publishing
  • Warner Chappell Music
  • Kobalt
  • Songtrust
  • Sentric Music
  • Concord Music Publishing
  • Downtown Music Publishing
  • peermusic

Collecting societies

  • GHAMRO
  • COSON
  • MCSN
  • SAMRO
  • SAMPRA
  • MCSK
  • KAMP
  • PRISK
  • COSOTA
  • UPRS
  • SODAV
  • BURIDA
  • ECMCS
  • SACERAU
  • The MLC
  • MCPS
  • SoundExchange
  • PRS for Music
  • PPL
  • GVL
  • ASCAP
  • BMI
  • SACEM

Sound fingerprinting matches a recording you upload against your own catalogue, wherever it was heard; it is not tied to any one service.

Names and logos belong to their owners. Listed as places royalties are paid out; no partnership or endorsement implied.

What runs, and what it needs

Statement reconciliation

Bring your catalogue and distributor statements. WASID lines them up and shows the plays with nothing collected against them.

Acoustic fingerprinting

Matches re-use of a recording: samples, re-uploads, noisy or partial copies. It cannot detect a melody re-played by someone else, and never claims to.

Broadcast capture

11 radio stations are configured. Capture turns on when a transcription key is set; until then no play is reported as detected.

Claim drafts

A draft is built only from the plays and matches on record, and marked for review. You approve every claim. A person decides whether anything is sent, and every action is recorded on the tamper-evident ledger. WASID never files a legal claim on its own. You see only your own catalogue.

Send your catalogue